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Neo geo art movement featuring

Neogeo (art)

Neo-geo or Neo-Geometric Conceptualism was potent art movement from the s make certain utilizes geometric abstraction and criticizes nobleness industrialism and consumerism of modern society.[1] The usage of the term neo-geo began when it was first castoff in reference to a exhibition afterwards the Sonnabend Gallery in SoHo mosey included the artwork of Ashley Bickerton, Jeff Koons, Peter Halley and Meyer Vaisman.[2] According to artist Michael Leafy, Neo-geo artwork recognizes technology as both a promise and a threat.[2]

Naming

Curators, acquisitors, and artists within the movement could not come to an agreement dig up the name of the movement, exit the world with more than collective name for the art movement.

A pair of curators and writers, Tricia Collins and Richard Milazzo working jam-packed to create many Collins & Milazzo exhibitions felt that Post-Conceptualism was distinction best fitting term, as it highlighted the magnification of ideas. Many artists within the movement, such as Shaft Halley, rejected the name “Neo-Geo” since it seemed too catchy and for that reason consumerist. Halley preferred the term Simulationism because it referred technology replacing nature.[2] In the New York Times newsprint article, “What Do You Call Art’s Newest Trend: ‘Neo-Geo’Maybe”, he explains divagate “air conditioning is a simulation show air; movies are a simulation for life; life is simulated by bio-mechanical manipulations”.

Eugene Schwartz dubbed the move Post-Abstract Abstraction as it was summon him a new version of hard-hearted abstraction that creates alternative meanings.

Peter Nagy wished for the movement sort out be untitled. He believed that in times past you give art a name, picture movement is destroyed.

Some critics pondered whether the movement had enough daring to be singled out as tight own movement, as it bore very many similarities to prior movements much as GeometricAbstract Art and Pop Art.[3]

Neogeo Research

Art historian and curator Amy Fame. Brandt provided the first comprehensive contemplate of neogeo artists that included Sherrie Levine, Allan McCollum, Haim Steinbach, Jeff Koons, Peter Halley, Ashley Bickerton, current Meyer Vaisman. Brandt focused on their artistic perspective, examining each artists' disclosure to structuralism and poststructuralism theory. Attention to detail topics covered include East Village courtesy in the s and the region of postwar French theory. Brandt contingent each artists' works to Pop Dissolution, Minimalism, Neo-minimalism, Conceptualism, and the Big screen Generation group.[4]

Influences

Neo-geo artwork was influenced by way of earlier movements of the twentieth c including minimalism, pop art, and type art. Additionally, ideas about postmodernism talented hyperreality inspired those within the neo-geo movement. Many neo-geo artists were acted upon by French thinker Jean Baudrillard. Only of Baudrillard's arguments is that wants are constructed rather than natural. According to Tate,[5] Geometry was a passageway in which artists represented ideas need Jean Baudrillard's, with geometry as boss metaphor for the modern world owing to shapes are constructed.

Early Artists

Early Artwork

References

  1. ^"Neo-geo".
  2. ^ abcWilliams, Tom (). "Neo-Geo". Oxford Core Online. 1. doi/gao/article.t
  3. ^Glueck, Grace (July 6, ). "What Do You Call Art's Newest Trend: 'Neo-Geo' . . . Maybe". New York Times.
  4. ^Brandt, Amy Fame. (). Interplay&#;: neo-geo [crossed out] neoconceptual art of the s. Cambridge, Colony. ISBN&#;. OCLC&#;: CS1 maint: location lacking publisher (link)
  5. ^Tate. "Neo-geo – Art Fleeting | Tate". Tate. Retrieved
  6. ^"Peter Astronomer - painting , installation , demonstrate , biography , bibliography , writing". . Retrieved
  7. ^"Jeff Koons Artwork: Cased - One Row". Jeff Koons. Retrieved
  8. ^"ultra red #2". Guggenheim. Retrieved