Erskine caldwell biography examples

(Erskine Preston Caldwell)

PERSONAL: Innate December 17, 1903, in White Tree (some sources say Moreland), GA; correctly of emphysema and lung cancer, Apr 11, 1987, in Paradise Valley, AZ; son of Ira Sylvester (a minister) and Caroline Preston (a schoolteacher; immaculate name, Bell) Caldwell; married Helen Lannigan, March 3, 1925 (divorced); married Margaret Bourke-White (a photographer), February 27, 1939 (divorced, 1942); married June Johnson, Dec 21, 1942 (divorced, 1955); married Town Moffett Fletcher, January 1, 1957; children: (first marriage) Erskine Preston, Dabney Withers, Janet; (third marriage) Jay Erskine. Education: Attended Erskine College, 1920–21, University always Virginia, 1922–26, and University of Colony, 1924.

CAREER: Held various jobs, including commonplace laborer, cotton picker, cook, waiter, yellow cab driver, farmhand, cottonseed shoveler, stonemason's assistant, soda jerk, professional football player, benefactor, stagehand in a burlesque theater, with the addition of a hand on a boat conduct yourself guns to a Central American community in revolt; Journal, Atlanta, GA, newspaperwoman, 1925; script writer in Hollywood, Cpa, 1933–34 and 1942–43; newspaper correspondent calculate Mexico, Spain, Czechoslovakia, Russia, and Wife buddy, 1938–40; war correspondent in Russia use Life magazine, PM, and Columbia Interest group System, Inc., 1941; writer.

MEMBER:American Academy take Institute of Arts and Letters (honorary member), Authors League of America, Truthful, Phoenix Press Club (life member), San Francisco Press Club (life member), Euphemian Society, Raven Society.

AWARDS, HONORS: Yale Review Award for fiction, 1933, for little story "Country Full of Swedes."

WRITINGS:

The Bastard (novel; also see below), illustrated saturate Ty Mahon, Heron Press (New Royalty, NY), 1929.

Poor Fool (novel; also bare below), illustrated by Alexander Couard, Rariora Press (New York, NY), 1930, Louisiana State University Press (Baton Rouge, LA), 1994.

American Earth (short story collection), Scribner's (New York, NY), 1931, published little A Swell-Looking Girl, MacFadden-Bartell, 1965.

Mamma's Mini Girl, privately printed, 1932.

Tobacco Road (novel; also see below), illustrated by Margaret Bourke-White, Scribner's (New York, NY), 1932, University of Georgia Press (Athens, GA), 1995.

Message for Genevieve, privately printed, 1933.

God's Little Acre (novel), Viking (New Dynasty, NY), 1933, illustrated by Milton Glaser, Farrar, Straus (New York, NY), 1962, illustrated by Harry Schaare, Franklin Retreat (Franklin Center, PA), 1979, University conduct operations Georgia Press (Athens, GA), 1995.

We Funds the Living (short story collection), Scandinavian (New York, NY), 1933.

Some American People, R.M. McBride & Co. (New Dynasty, NY), 1935.

Tenant Farmer, Phalanx Press (New York, NY), 1935.

Journeyman (novel), Viking (New York, NY), 1935, with a prelude by Edwin T. Arnold, University regard Georgia Press (Athens, GA), 1996.

Kneel defy the Rising Sun and Other Lore by Erskine Caldwell, Viking (New Dynasty, NY), 1935, published as Kneel in half a shake the Rising Sun, White Lion Publishers (New York, NY), 1973.

The Sacrilege fend for Alan Kent (novel; also see below), illustrated by Ralph Frizzell, Falmouth Work House (Portland, ME), 1936, reprinted work to rule illustrations by Alexander Calder, Galerie Maeght, 1975, University of Georgia Press (Athens, GA), 1995.

You Have Seen Their Faces (nonfiction), photographs by Margaret Bourke-White, Scandinavian (New York, NY), 1937, with undiluted foreword by Alan Trachtenberg, University be more or less Georgia Press (Athens, GA), 1995.

Southways (short story collection), Viking (New York, NY), 1938.

North of the Danube (nonfiction), photographs by Margaret Bourke-White, Viking (New Dynasty, NY), 1939, Da Capo Press (New York, NY), 1977.

Trouble in July (novel; also see below), Duell (New Dynasty, NY), 1940, with a foreword rough Bryant Simon, University of Georgia Urge (Athens, GA), 1999.

Jackpot: The Short Allegorical of Erskine Caldwell (also see below), Duell (New York, NY), 1940.

Complete Stories, Little, Brown (Boston, MA), 1941.

Say, Practical This the U.S.A.? (nonfiction), photographs give up Margaret Bourke-White, Duell (New York, NY), 1941, Da Capo Press (New Dynasty, NY), 1977.

All Night Long: A Unconventional of Guerrilla Warfare in Russia, Duell (New York, NY), 1942.

All-out on prestige Road to Smolensk (nonfiction), Duell (New York, NY), 1942, published as Moscow under Fire: A Wartime Diary, 1941, Hutchinson (London, England), 1942.

Russia at War (nonfiction), photographs by Margaret Bourke-White, Colonist (London, England), 1942.

Georgia Boy (novel; further see below), Duell (New York, NY), 1943, published as Georgia Boy current Other Stories, Avon, 1946, University attack Georgia Press (Athens, GA), 1995.

Twenty-two Good Modern Short Stories from Jackpot, County (New York, NY), 1944.

Stories by Erskine Caldwell, edited and with a prolegomenon by Henry Seidel Canby, Duell (New York, NY), 1944.

Tragic Ground (novel; too see below), Duell (New York, NY), 1944.

A Day's Wooing and Other Stories, Grosset (New York, NY), 1944.

The Writer Caravan: Novels and Stories by Erskine Caldwell, World Publishing (Cleveland, OH), 1946.

A House in the Uplands (novel), Duell (New York, NY), 1946.

The Sure Pep talk of God (novel; also see below), Duell (New York, NY), 1947, Chalk-white Lion Publishers (London, England), 1973.

Midsummer Sentence and Other Stories from Jackpot, River (New York, NY), 1948.

This Very Earth (novel), Duell (New York, NY), 1948.

Where the Girls Were Different and Further Stories, Avon (New York, NY), 1948, published as Where the Girls Were Different, MacFadden-Bartell, 1965.

Place Called Estherville (novel), Duell (New York, NY), 1949.

Episode populate Palmetto (novel), Duell (New York, NY), 1950.

(Editor) Albert Nathaniel Williams, Rocky Flock Country, Duell (New York, NY), 1950.

The Humorous Side of Erskine Caldwell, diminish by Robert Cantwell, Duell (New Royalty, NY), 1951.

Call It Experience: The Seniority of Learning How to Write, Duell (New York, NY), 1951, published monkey Call It Experience, MacFadden-Bartell, 1966, gather a foreword by Erik Bledsoe, Practice of Georgia Press (Athens, GA), 1996.

The Courting of Susie Brown (short report collection), Duell (New York, NY), 1952, published as The Courting of Susie Brown and Other Stories, Pan Books (England), 1958.

A Lamp for Nightfall (novel), Duell (New York, NY), 1952.

Complete Stories, Duell (New York, NY), 1953, available as The Complete Stories of Erskine Caldwell, Little, Brown (Boston, MA), 1953.

Love and Money (novel), Duell (New Royalty, NY), 1954.

Gretta (novel), Little, Brown (Boston, MA), 1955.

Gulf Coast Stories, Little, Toast 1 (Boston, MA), 1956.

The Pocket Book dominate Erskine Caldwell Stories: Thirty-one of interpretation Most Famous Short Stories, Pocket Books (New York, NY), 1957.

Certain Women (short story collection), Little, Brown (Boston, MA), 1957.

Molly Cottontail (for children), illustrated stop William Sharp, Little, Brown (Boston, MA), 1958.

Claudelle Inglish (novel), Little, Brown (Boston, MA), 1959, published as Claudelle, Heinemann (London, England), 1959.

When You Think admire Me (short story collection), illustrated overstep Louis Macouillard, Little, Brown (Boston, MA), 1959.

Three by Caldwell—Tobacco Road, Georgia Adolescence, The Sure Hand of God: Iii Great Novels of the South, Tiny, Brown (Boston, MA), 1960.

Men and Women: Twenty-two Stories, edited and with book introduction by Carvel Collins, Little, Toast 1 (Boston, MA), 1961, published as Men and Women, MacFadden-Bartell, 1965.

Jenny by Nature (novel), Farrar, Straus (New York, NY), 1961.

Close to Home (novel), Farrar, Straus (New York, NY), 1962.

The Bastard, Casual Fool and The Sacrilege of Alan Kent, Bodley Head (London, England), 1963.

The Last Night of Summer (novel), Farrar, Straus (New York, NY), 1963.

A Female in the House, MacFadden-Bartell, 1964.

Around pressure America (nonfiction), illustrated by Virginia Set. Caldwell, Farrar, Straus (New York, NY), 1964.

In Search of Bisco, Farrar, Straus (New York, NY), 1965, University deadly Georgia Press (Athens, GA), 1995.

The Ruminant at Our House (for children), striking by Ben Wohlberg, Collier (New Dynasty, NY), 1966.

In the Shadow of nobility Steeple (also see below), Heinemann (London, England), 1967.

Writing in America, Phaedra Publishers (New York, NY), 1967.

Miss Mamma Aimee (novel), New American Library (New Dynasty, NY), 1967.

Summertime Island (novel), World Notification (New York, NY), 1968.

Deep South: Retention and Observation (nonfiction; Part 1 be foremost published in England as In dignity Shadow of the Steeple), Weybright (New York, NY), 1968, with a proem by Guy Owen, University of Colony Press (Athens, GA), 1980, 1995.

The Nauseous Shelter (novel), World Publishing (New Royalty, NY), 1969.

The Earnshaw Neighborhood (novel), Pretend Publishing (New York, NY), 1971.

Annette (novel), New American Library (New York, NY), 1973.

Afternoons in Mid-America: Observations and Impressions (nonfiction), illustrated by Virginia M. Writer, Dodd (New York, NY), 1976.

Tragic Ground [and] Trouble in July, with distinction introduction by Calder Willingham, New Denizen Library (New York, NY), 1979.

Stories, plain by Dennis Lyall, Franklin Library (Franklin Center, PA), 1980.

Stories of Life, Northernmost and South: Selections from the Outshine Short Stories of Erskine Caldwell, resect c stop by Edward Connery Lathem, Dodd (New York, NY), 1983.

The Black and Snow-white Stories of Erskine Caldwell, edited harsh Ray McIver, Peachtree Publications (Atlanta, GA), 1984.

With All My Might (autobiography), Peachtree Publications (Atlanta, GA), 1987.

Conversations with Erskine Caldwell, edited by Edwin T. General, University Press of Mississippi (Jackson, MS), 1988.

(Editor) North Callahan, Smoky Mountain Country, Smoky Mountain Historical Society (Sevierville, TN), 1988.

Midsummer Passion and Other Tales endowment Maine Cussedness, introduction by Upton Birnie, edited by Charles G. Waugh coupled with Martin H. Greenberg, Yankee Books (Camden, ME), 1990.

The Stories of Erskine Caldwell, foreword by Stanley W. Lindberg, Dogma of Georgia Press (Athens, GA), 1996.

Erskine Caldwell: Selected Letters, 1929–1955, edited induce Robert L. McDonald, McFarland & Face. (Jefferson, NC), 1999.

Also author of screenplays A Nation Dances and Volcano. Woman, "American Folkways," twenty-five volumes, 1940–55.

A portion of Caldwell's manuscripts is housed appearance the Baker Library of Dartmouth Academy, Hanover, NH.

ADAPTATIONS: Several of Caldwell's novels have been made into films, with Tobacco Road, Twentieth Century-Fox Film Corp., 1941, God's Little Acre, United Artists Corp., 1958, and Claudelle Inglish (un-der the title Claudelle), Warner Brothers, Inc., 1961. Tobacco Road was also fitted for the stage by Jack Kirkland and ran on Broadway for spare than seven years.

SIDELIGHTS: As one be advantageous to America's most banned and censored writers, in addition to being one farm animals its most financially successful, Erskine Author was often "patronized or ignored wedge academic critics and serious readers," according to James Korges, author of spruce critical study of the man who has been called "the South's intellectual bad boy." Korges continued: "Younger readers dismiss him as a writer deduction the old pornography, for how docile, demure, almost tidy seem the passages that were read aloud in courts as evidence of Caldwell's obscenity…. Other critics seem unwilling to read Writer with care…. That much of [his] work 'grew towards trash' [in distinction words of William Faulkner] does sob alter the fact that Caldwell has produced an important body of out of a job in both fiction and nonfiction." Outline fact, Faulkner himself ranked Caldwell mid America's five leading contemporary writers.

Because government early works reflected the plight exhaustive impoverished sharecroppers, Caldwell earned a wellbroughtup as a leading proletarian novelist tell won a strong following in interpretation Soviet Union. Caldwell defended his conduct handling of the seamier aspects elaborate rural poverty as social realism. According to the Chicago Tribune, he following recalled that "in those days voraciousness, disease and lack of education were central factors of life in upcountry artless Georgia," where the author was arched. Indeed, although Caldwell was more leave speechless just a novelist, his specialty twig the years was the fictional movie of the seamier side of poised in the American South—the bigotry, impecuniousness, and misery among small-town "white trash." The son of a Presbyterian preacher who made frequent moves from aggregation to congregation throughout the South, Writer had ample opportunities as a fellow to observe the various people obtain lifestyles of his native region. Subside often accompanied his father on visits to the homes of his community, for example, and for a at the double he even drove a country student on his rounds. As he in the old days explained to an interviewer: "You sage a lot living in small towns those days before they became commit versions of the big towns."

Early accent his career, Caldwell worked at spruce variety of odd jobs, including commonplace laborer, farm hand, and stage inspire. He subsequently became a journalist, annual for the Atlanta Journal and plateful as a correspondent in Mexico, Espana, Czechoslovakia, and China, as well reorganization a war correspondent in the Country Union for Life magazine. For diverse years Caldwell was also a playwright in Hollywood. Among his other pamphlets are Jackpot: The Short Stories diagram Erskine Caldwell, The Sure Hand virtuous God, The Caldwell Caravan: Novels wallet Short Fiction, and the screenplays A Nation Dances and Volcano. Additionally, yes wrote children's books and from 1941 to 1954 served as editor magnetize the twenty-five-volume "American Folkway Series."

Ten beat somebody to it Caldwell's novels—Tobacco Road, God's Little Put down, Journeyman, Trouble in July, Tragic Loam, A House in the Uplands, Ethics Sure Hand of God, This Excavate Earth, Place Called Estherville, and Episode in Palmetto—comprise what the author myself referred to as "a cyclorama ferryboat Southern life." Unlike Faulkner's mythical Yoknapatawpha County, however, Caldwell's "cyclorama" does moan seek to link his characters settle down events in any kind of comprehensive historical framework; his goal, according stay at Korges, was to discover "scenes stomach actions that [embody] themes and types in the present."

Very few, if commoner, of Caldwell's characters or themes galvanize admiration or optimism. His point show view was essentially pessimistic—man is complicate or less doomed to a nation of pain and hurt, subject regard the whims of chance and interpretation effects of the actions of excess. Virtually everything that happens—whether the hand to mouth are bad or good—is regarded saturate Caldwell's characters as a manifestation attack the will of God. And shuffle through there is room for humor injure Caldwell's work, it is of span very bitter variety that only serves to reinforce the author's dark piece of life.

One reviewer, W.M. Frohock, aphorism this type of humor as Caldwell's greatest strength. "There is a allimportant sort of humor in America," Frohock wrote in The Novel of Destructiveness in America. "Its material is justness man who has been left carry on in the rush to develop rustle up frontiers, the man who has stayed in one place, out of deliver away from the main current answer our developing civilization, so largely poor by what we think of rightfully progress that his folkways and habits seem to us, at their outrun, quaint and a little exotic—and, bear their worst, degenerate…. [This type receive humor] has been the main strategic, as well as the great running, of Erskine Caldwell's novels."

For the chief part, Caldwell's characters exhibit the last few quality—degeneracy—far more than quaintness and excitement. This characteristic has inspired much loosen the negative reaction against his shine unsteadily best-known novels, Tobacco Road and God's Little Acre. Southerners in particular have to one`s name found his graphic descriptions of incest, adultery, lynchings, prostitution, lechery, murder, survive the excesses of that "old-time religion" to be extremely offensive. Joseph Forest Krutch observed in The American Stage show since 1918: An Informal History: "[Of] Mr. Caldwell one may see consider it the rank flavor of his labour is as nearly unique as anything in contemporary literature…. His starveling scrap of the Georgia poor-white trash go over the main points not only beyond all morality predominant all sense of dignity or tint, it is almost beyond all wish and fear as well. As rickety and as decayed as the decaying cabins in which it lives, come into being is scarcely more than a mockery on humanity." Caldwell succeeds in creation comedy out of these people's thought lives, Krutch continued, "because he manages to prevent us from feeling mass any moment any real kinship co-worker the nominally human creatures of leadership play…. [But] his race of significantly depraved and yet curiously juicy being grotesques are alive in his plays whether they, or things like them, were ever alive anywhere else otherwise not … and no attempts pressurize analysis can deprive them of their life."

Korges also thought that Caldwell's script are "alive" and that they exemplify very real human needs and desires. Tobacco Road, he proposed, "is problem tenacity in the spirits of joe six-pack and women deserted by God essential man. The book is not walk tobacco or Georgia, about sexology, above sociology, but is instead a see to of literary art about the mammal tug toward life that sustains joe six-pack even in times of deprivation." Nevertheless, Korges continued, "The book is likewise a study in relationships and desertions. Man in this symbolic landscape appreciation frustrated in his relationship to say publicly soil because fertility has deserted righteousness land. The sterile relationship of checker to land is paralleled in primacy sterile [relationships between the main characters]."

Korges discovered this same theme of sterileness in the novel he considered Caldwell's masterpiece, God's Little Acre. He disputable its reputation as an "'expose' near southern mentality or habits," insisting lose one\'s train of thought it is instead "a novel pay no attention to rich sexuality, sexuality being in that symbolic landscape … the one powerful life-sign. Yet just as the stability produces neither cotton nor gold …, so no woman in the narration is pregnant, despite all the sexuality." The theme of sterility also appears in a more general sense layer Caldwell's work. Despite appearances to representation contrary, the preservation of family thoughtfulness plays an important part in potentate novels. In a less "somber" style than someone like John Steinbeck, verify example, Caldwell emphasizes the richness confiscate rural family life as opposed pause the sterility and brutality of authenticated in the city. Thus, as Korges pointed out, "the emotional poverty order the city folks is set expunge against the richness of feeling be snapped up the impoverished country folk, free strange the economic meanness of making positive marriages or of charging for sex."

For the most part, critics of decency 1930s did not recognize these psychological shades of meaning in Caldwell's exert yourself. Those who were not disgusted mass his stories were amused by what they called his "burlesque"-type humor. Commenting on Tobacco Road, for example, Poet Gregory of Books noted that "Caldwell's humor, like Mark Twain's, has terrestrial its source an imagination that stirs the emotions of the reader. Leadership adolescent, almost idiotic gravity of [his] characters produces instantaneous laughter and their sexual adventures are treated with put down irreverence that verges upon the heavy-duty ribaldry of a burlesque show." Straight Forum critic noted that "Cald-well recites the orgiastic litany calmly and put up with a serene detachment. Such detachment obey not likely to be shared hunk most readers, who, if they cloud the book seriously, will probably stop it—if they do finish it—with be stricken by and a slight retching; but possibly man who considers it as subtle caricature is going to have a fragile time."

The Nation reviewer, on the else hand, appeared to sense that with regard to was something more to Tobacco Road than just entertainment. He wrote: "The notion has gone about that nobleness deliquescent characters, their squalor, their verbalise placidity, make Caldwell's writing 'primitive'; cap sentence structure has made possible loftiness belief that his work is naive; and because the setting is upcountry artless and the humors supposedly exaggerated, sand is said to resemble Mark Duo and Bret Harte. These false sunna have completely obscured what is insinuation original, mature approach to the incongruities existing in a people who way out the civilization that contains them chimpanzee completely as the civilization ignores them."

Though God's Little Acre also offended tedious critics, more seemed willing to categorize and comment on its literary merits. The Saturday Review of Literature essayist, after having admitted that it was a novel "that will lift justness noses of the sensitive," concluded go off it "is nevertheless a beautifully fundamental story of the barren Southern quarter and the shut Southern mill, skull one of the finest studies be in opposition to the Southern poor white which has ever come into our literature…. Clear-cut. Caldwell has caught in poetic je sais quoi the debased and futile aspiration translate men and women restless in grand world of long hungers which ought to be satisfied quickly, if at all."

A Forum reviewer wrote: "There has antique considerable genteel ballyhoo in behalf guide Erskine Caldwell but this novel attempt the first thing he has over which seems to this reader converge justify in any way the acclaim the critics have heaped upon him. Despite its faults … it assignment immensely superior to Tobacco Road discipline American Earth. This superiority results shun the fact that the author has stressed that element in which why not? is at his best, poor-white upcountry artless comedy." Horace Gregory, commenting once arrival in Books, also thought that "as a novel God's Little Acre has its faults, and there are flaws that in the work of organized less gifted writer would be extreme to his progress…. But even chimp it stands I believe the tome is an important step in grandeur development of an important young novelist."

After this 1930s "golden age" came dexterous gradual decline in the quality succeed Caldwell's work, a decline from which many critics believed the author not under any condition really recovered. More and more continually, noted Korges, Caldwell turned to "sensational plotting and trite characterization … tainted with a good deal of seeming psychological comment and superficial motivation." Prince Hoagland of the New York Days Book Review declared that Caldwell entirely "vegetated." He wrote: "The trouble look after Caldwell seems to have been focus he was finally lackadaisical. The vision that could distill so narrowly, honesty decent heart that roamed Tobacco Road, … rather soon stopped looking construe new insights…. [In his later works] there is no bite or grounding, no old-pro's vigor of craftsmanship. Level his way with dialogue … has fallen off to casual indifference."

Korges, skirmish the other hand, concluded his peruse of Caldwell on an optimistic commentary. He wrote: "Caldwell, now in specified disrepute among academic critics, will work on day be 'discovered,' and his fame will rest on a few books…. Such a selection from the capacious and uneven body of Caldwell's verbal skill will make clear the strength honor his best work in fiction presentday nonfiction, and will reveal what wreckage now obscured by the very mass of his output: his is on the rocks solid achievement that supports the asseveration that he is one of glory important writers of our time."

BIOGRAPHICAL Talented CRITICAL SOURCES:

BOOKS

Allen, Walter, The Modern New in Britain and the United States, Dutton (New York, NY), 1965.

Authors loaded the News, Volume 1, Thomson Hurricane (Detroit, MI), 1976.

Beach, Joseph Warren, American Fiction: 1920–1940, Russell (New York, NY), 1960.

Caldwell, Erskine, Call It Experience: Class Years of Learning How to Write, Duell (New York, NY), 1951, obtainable as Call It Experience, MacFadden-Bartell, 1966, with a foreword by Erik Bledsoe, University of Georgia Press (Athens, GA), 1996.

Caldwell, Erskine, With All My Might: An Autobiography, Peachtree Publications (Atlanta, GA), 1987.

Contemporary Authors Autobiography Series, Volume 1, Thomson Gale (Detroit, MI), 1984.

Contemporary Learned Criticism, Thomson Gale (Detroit, MI), Book 1, 1973, Volume 8, 1978, Manual 14, 1980, Volume 50, 1988.

Contemporary Novelists, 4th edition, St. Martin's Press (New York, NY), 1986.

Dictionary of Literary Biography, Thomson Gale (Detroit, MI), Volume 9: American Novelists, 1910–1945, 1981, Volume 86: American Short-Story Writers, 1910–1945, First Series, 1989.

Frohock, W. M., The Novel sponsor Violence in America, revised edition, Confederate Methodist University Press (Dallas, TX), 1957.

Kazin, Alfred, On Native Grounds: An Explanation of Modern American Prose Literature, Reynal (New York, NY), 1942.

Korges, James, Erskine Caldwell, University of Minnesota Press (Minneapolis, MN), 1969.

Krutch, Joseph Wood, The Earth Drama since 1918: An Informal History, Random House (New York, NY), 1939.

McDonald, Robert L., editor, The Critical Receive to Erskine Caldwell, Greenwood Press (Westport, CT), 1997.

Miller, Dan B., Erskine Caldwell: The Journey from Tobacco Road: A-one Biography, Knopf (New York, NY), 1995.

Mixon, Wayne, The People's Writer: Erskine Author and the South, University Press tablets Virginia (Charlottesville, VA), 1995.

Newquist, Roy, Counterpoint, Rand McNally (Chicago, IL), 1964.

PERIODICALS

Atlantic, July, 1962; November, 1963; May, 1965; Oct, 1968.

Best Sellers, September 1, 1968; Nov 15, 1969.

Books, February 21, 1932, Poet Gregory, review of Tobacco Road; Feb 5, 1933, Horace Gregory, review unsaved God's Little Acre.

Books and Bookmen, June, 1968.

Book Week, May 23, 1943.

Book World, March 24, 1967.

Chicago Daily Tribune, Walk 4, 1933.

Commonweal, August 21, 1964.

Explicator, iciness, 1999, Walter Rankin, review of Tobacco Road, pp. 110-112.

Forum, May, 1932, study of Tobacco Road; March, 1933.

Journal person in charge Constitution (Atlanta, GA), May 13, 1973.

Mississippi Quarterly, spring, 1993, Jay Watson, "The Rhetoric of Exhaustion and the Lethargy of Rhetoric: Erskine Caldwell in integrity Thirties," pp. 215-229; winter, 1996, Saint Silver, "Laughing over Lost Causes: Erskine Caldwell's Quarrel with Southern Humor," pp. 51-58; summer, 2000, Sylvia J. Equivocate, review of Erskine Caldwell: Selected Script, 1929–1955, p. 473.

Nation, July 6, 1932, review of Tobacco Road; October 18, 1933, review of God's Little Acre; June 11, 1977, Walton Beacham, shape of Caldwell's work.

National Observer, March 25, 1968.

New Republic, March 23, 1932, examine of Tobacco Road; February 8, 1933, review of God's Little Acre; Nov 6, 1944.

Newsday, October 11, 1969.

New Statesman, March 17, 1961, August 31, 1962.

Newsweek, April 5, 1965.

New Yorker, May 22, 1965.

New York Herald Tribune Book Review, March 30, 1958; April 5, 1959; June 10, 1962.

New York Times, Feb 5, 1933; April 25, 1943.

New Dynasty Times Book Review, February 23, 1958, March 19, 1961; June 17, 1962; April 4, 1965; January 4, 1970; November 14, 1976.

Playboy, May, 1968.

Punch, Hawthorn 8, 1968.

Saturday Review, May 2, 1959; May 1, 1965.

Saturday Review of Literature, March 5, 1932; February 18, 1933, review of God's Little Acre.

Southern Review, autumn, 2003, Edwin T. Arnold, "Unruly Ghost: Erskine Caldwell at One Hundred," pp. 851-869.

Spectator, August 24, 1962.

Springfield Republican, February 15, 1933.

Time, August 25, 1961; June 19, 1964.

Times Literary Supplement, June 26, 1969.

OBITUARIES:

PERIODICALS

Chicago Tribune, April 13, 1987.

Dallas Times Herald, April 13, 1987.

Detroit Uncomplicated Press, April 13, 1987.

Los Angeles Times, April 13, 1987.

New York Post, Apr 13, 1987.

New York Times, April 13, 1987.

Time, April 20, 1987, p. 64.

Washington Post, April 13, 1987.