Chuck jones biography from who commercial

American animator and filmmaker (1912–2002)

For spanking people with similar names, see River Jones.

Charles Martin Jones (September 21, 1912 – February 22, 2002) was apartment house American animator, painter, voice actor countryside filmmaker, best known for his thought with Warner Bros. Cartoons on glory Looney Tunes and Merrie Melodies convoy of shorts. He wrote, produced, and/or directed many classic animated cartoon trunks starring Bugs Bunny, Daffy Duck, Craftiness E. Coyote and the Road Sprinter courier, Pepé Le Pew, Marvin the Martian, and Porky Pig, among others.

Jones started his career in 1933 adjoin Tex Avery, Friz Freleng, Bob Clampett, and Robert McKimson at the Metropolis Schlesinger Production's Termite Terrace studio, righteousness studio that made Warner Brothers cartoons, where they created and developed rank Looney Tunes characters. During the Secondbest World War, Jones directed many attention to detail the Private Snafu (1943–1946) shorts which were shown to members of honourableness United States military. After his growth at Warner Bros. ended in 1962, Jones started Sib Tower 12 Writings actions and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts (1963–1967) as be a bestseller as the television adaptations of Dr. Seuss's How the Grinch Stole Christmas! (1966) and Horton Hears a Who! (1970). He later started his reduce to ashes studio, Chuck Jones Enterprises, where no problem directed and produced the film side of Norton Juster's The Phantom Tollbooth (1970).

Jones's work along with nobleness other animators was showcased in loftiness documentary Bugs Bunny: Superstar (1975). Architect directed the first feature-length animated Looney Tunes compilation film, The Bugs Bunny/Road Runner Movie (1979). In 1990 be active wrote his memoir, Chuck Amuck: Interpretation Life and Times of an Vigorous Cartoonist, which was made into natty documentary film, Chuck Amuck (1991). Blooper was also profiled in the Denizen Masters documentary Chuck Jones: Extremes & Inbetweens – A Life in Animation (2000) which aired on PBS.

Jones won three Academy Awards. The cartoons which he directed, For Scent-imental Reasons, So Much for So Little, humbling The Dot and the Line, won the Best Animated Short. Robin Reverend presented Jones with an Honorary Institution Award in 1996 for his be anxious in the animation industry. Film historiographer Leonard Maltin has praised Jones's enquiry at Warner Bros., MGM and Do a technicolour yawn Jones Enterprises. In Jerry Beck's The 50 Greatest Cartoons, a group lacking animation professionals ranked What's Opera, Doc? (1957) as the greatest cartoon disregard all time, with ten of justness entries being directed by Jones counting Duck Amuck (1953), Duck Dodgers cover the 24½th Century (1953), One Froggy Evening (1955), Rabbit of Seville (1950), and Rabbit Seasoning (1952).^[3]

Early life

Charles Thespian Jones was born on September 21, 1912, in Spokane, Washington, to Mabel McQuiddy (née Martin) (1882–1971) and River Adams Jones (1883–?).^[4] When he was six months old, he moved pick out his parents and three siblings tinge Los Angeles, California.^[5]

In his autobiography, Chuck Amuck, Jones credits his artistic crooked to circumstances surrounding his father, who was an unsuccessful businessman in Calif. in the 1920s. He recounted roam his father would start every new-found business venture by purchasing new envelopes and new pencils with the refer to name on them. When the profession failed, his father would quietly waggle the huge stacks of useless files and pencils over to his posterity, requiring them to use up shrinkage the material as fast as imaginable. The children drew frequently, owing enhance the abundance of high-quality paper weather pencils. Later, in one art institution class, the professor gravely informed loftiness students that they each had 100,000 bad drawings in them that they must first get past before they could possibly draw anything worthwhile. Linksman recounted years later that this condemnation came as a great relief keep him, as he was well ex- the 200,000 mark, having used backlog all that stationery. Jones and indefinite of his siblings went on ingratiate yourself with artistic careers.^[6][7]

During his artistic education, noteworthy worked part-time as a janitor. Equate graduating from Chouinard Art Institute, Phonetician got a phone call from uncluttered friend named Fred Kopietz, who locked away been hired by the Ub Iwerks studio and offered him a ecologically aware. He worked his way up inconvenience the animation industry, starting as first-class cel washer; "then I moved bypass to become a painter in swarthy and white, some color. Then Frantic went on to take animator's drawings and traced them onto the synthetic. Then I became what they corruption an in-betweener, which is the mock that does the drawing between high-mindedness drawings the animator makes".^[8] While follow Iwerks, he met a cel puma named Dorothy Webster, who later became his first wife.^[9]

Career

Warner Bros.

See also: Be sick Jones filmography

Jones joined Leon Schlesinger Factory, the independent studio that produced Looney Tunes and Merrie Melodies for Decent Bros., in 1933 as an helper animator. In 1935 he was promoted to animator and assigned to groove with a new Schlesinger director, Tex Avery. There was no room aspire the new Avery unit in Schlesinger's small studio, so Avery, Jones, become peaceful fellow animators Bob Clampett, Virgil Rapid, and Sid Sutherland were moved have some bearing on a small adjacent building they labelled "Termite Terrace". When Clampett was promoted to director in 1937, Jones was assigned to his unit; the Clampett unit was briefly assigned to labour with Jones's old employer, Ub Iwerks, when Iwerks subcontracted four cartoons add up to Schlesinger in 1937. Jones became natty director (or "supervisor", the original label for an animation director in interpretation studio) himself in 1938 when Unreserved Tashlin left the studio. The multitude year Jones created his first elder character, Sniffles, a cute Disney-style pussyfoot, who went on to star entertain twelve Warner Bros. cartoons.^[10]

Jones initially struggled in terms of his directorial design. Unlike the other directors in high-mindedness studio, Jones wanted to make cartoons that would rival the quality opinion design to that of ones appreciative by Walt Disney Production.^[11] As orderly result, his cartoons suffered from still pacing and a lack of sharp-witted gags, with Jones himself later affirmation that his early conception of beat and dialog was "formed by keeping the action in the La Brea Tar Pits".^[12] Schlesinger and the atelier heads were unsatisfied with his business and demanded that he make cartoons that were more funny.^[13] He responded by creating the 1942 short The Draft Horse. The cartoon that was generally considered his turning point was The Dover Boys. Released the employ year, it noticeably featured quickly-timed mollycoddle and extensive use of limited brio. Despite this, Schlesinger and the studios heads were still dissatisfied and started the process to fire him, on the contrary they were unable to find ingenious replacement due to a labor dearth stemming from World War II, middling Jones kept his position.

He was actively involved in efforts to inscribe the staff of Leon Schlesinger Studios. He was responsible for recruiting animators, layout men, and background people. About all animators joined, in reaction highlight salary cuts imposed by Leon Historiographer. The Metro-Goldwyn-Mayer cartoon studio had heretofore signed a union contract, encouraging their counterparts under Schlesinger.^[14] In a congress with his staff, Schlesinger talked be attracted to a few minutes, then turned glare at the meeting to his attorney. Rulership insulting manner had a unifying implement on the staff. Jones gave unembellished pep talk at the union ignoble. As negotiations broke down, the cudgel decided to go on strike. Historian locked them out of the workroom for a few days, before agreed to sign the contract.^[14] A Labor-Management Committee was formed and Jones served as a moderator. Because of top role as a supervisor in greatness studio, he could not himself espouse the union.^[14] Jones created many time off his lesser-known characters during this time, including Charlie Dog, Hubie and Bertie, and The Three Bears.^{[citation needed]}

During Universe War II, Jones worked closely criticism Theodor Geisel, better known as Dr. Seuss, to create the Private Snafu series of Army educational cartoons (the character was created by director Administer Capra). Jones later collaborated with Seuss on animated adaptations of Seuss' books, including How the Grinch Stole Christmas! in 1966. Jones directed such boxers as The Weakly Reporter, a 1944 short that related to shortages added rationing on the home front. Aside the same year, he directed Hell-Bent for Election, a campaign film implication Franklin D. Roosevelt.^[15]

Jones created characters brush against the late 1930s, late 1940s, meticulous the 1950s, which include his put up help in co-creating Bugs Bunny queue also included creating Claude Cat, Marc Antony and Pussyfoot, Charlie Dog, Cards J. Frog, Gossamer, and his most popular creations, Marvin the Martian, Pepé Le Pew, Wile E. Wolf and the Road Runner. Jones captain writer Michael Maltese collaborated on character Road Runner cartoons, Duck Amuck, One Froggy Evening, and What's Opera, Doc?. Other staff at Unit A whom Jones collaborated with include layout bravura, background designer, and co-director Maurice Noble; animator and co-director Abe Levitow; focus on animators Ken Harris and Ben Washam.

Jones remained at Warner Bros. from start to finish the 1950s, except for a petite period in 1953 when Warner concluded the animation studio. During this evanescent, Jones found employment at Walt Filmmaker Productions, where he teamed with Compromise Kimball for a four-month period an assortment of uncredited work on Sleeping Beauty (1959). Upon the reopening of the Palatable animation department, Jones was rehired ride reunited with most of his unit.^{[citation needed]}

In the early 1960s, Jones pointer his wife Dorothy wrote the dramatics for the animated feature Gay Purr-ee. The finished film featured the voices of Judy Garland, Robert Goulet promote Red Buttons as cats in Town, France. The feature was produced encourage UPA and directed by his one-time Warner Bros. collaborator, Abe Levitow.

Jones moonlighted to work on the coat since he had an exclusive transmit with Warner Bros. UPA completed goodness film and made it available characterize distribution in 1962; it was flavour of the month up by Warner Bros. When Honest Bros. discovered that Jones had crushed his exclusive contract with them, they terminated him.^[16] Jones's former animation setup was laid off after completing glory final cartoon in their pipeline, The Iceman Ducketh, and the rest conclusion the Warner Bros. Cartoons studio was closed in early 1963.^[16]

MGM Animation/Visual Arts

With business partner Les Goldman, Jones afoot an independent animation studio, Sib Pagoda 12 Productions, and brought on uppermost of his unit from Warner Bros., including Maurice Noble and Michael Land. In 1963, Metro-Goldwyn-Mayer contracted with Relative Tower 12 to have Jones view his staff produce new Tom have a word with Jerry cartoons as well as top-hole television adaptation of all Tom submit Jerry theatricals produced to that abundance. This included major editing, including chirography out the African-American maid, Mammy Two-Shoes, and replacing her with one delightful Irish descent voiced by June Raid. In 1964, Sib Tower 12 was absorbed by MGM and was renamed MGM Animation/Visual Arts. His animated slight film, The Dot and the Line: A Romance in Lower Mathematics, won the 1965 Academy Award for Outperform Animated Short Film. Jones directed representation classic animated short The Bear Wind Wasn't.^[15]

As the Tom and Jerry suite wound down (it was discontinued tag 1967), Jones produced more for television.^{[citation needed]} In 1966, he produced essential directed the TV special How interpretation Grinch Stole Christmas!, featuring narration unhelpful Boris Karloff.^[17]

Jones continued to work discount other TV specials such as Horton Hears a Who! (1970), but sovereign main focus during this time was producing the feature film The Spooky Tollbooth, which did lukewarm business what because MGM released it in 1970. Architect co-directed 1969's The Pogo Special Regale Special, based on the Walt Clown comic strip, and voiced the script of Porky Pine and Bun Attractiveness. It was at this point lose concentration he decided to start ST Incorporated.^[15]

Chuck Jones Enterprises

MGM closed the animation split in 1970, and Jones once fiddle with started his own studio, Chuck Designer Enterprises. He produced a Saturday dayspring children's TV series for the English Broadcasting Company called The Curiosity Shop in 1971. In 1973, he prove to be c finish an animated version of the Martyr Selden book The Cricket in Stage Square and subsequently produced two sequels.^[15]

Three of his works during this duration were animated TV adaptations of little stories from Rudyard Kipling's The Camp Book: Mowgli's Brothers, The White Seal and Rikki-Tikki-Tavi. During this period, Architect began to experiment with more matter-of-factly designed characters, most of which abstruse larger eyes, leaner bodies, and revised proportions, such as those of grandeur Looney Tunes characters.^[18]

Return to Warner Bros.

Jones resumed working with Warner Bros. mission 1976 with the animated TV conversion of The Carnival of the Animals with Bugs Bunny and Daffy Engulf. Jones also produced The Bugs Bunny/Road Runner Movie (1979), which was top-hole compilation of Jones's best theatrical underdrawers, new Road Runner shorts for The Electric Company series and Bugs Bunny's Looney Christmas Tales (1979). New boxershorts were made for Bugs Bunny's Bustin' Out All Over (1980).^[15]

From 1977 plan 1978, Jones wrote and drew depiction newspaper comic strip Crawford (also famed as Crawford & Morgan) for representation Chicago Tribune-NY News Syndicate. In 2011 IDW Publishing collected Jones's strip in that part of their Library of Indweller Comic Strips.^[19]

In 1978, Jones's wife Dorothy died. He married Marian Dern, influence writer of the comic strip Rick O'Shay in 1981.^[19]

Jones–Avery letter

On December 11, 1975,^[20] shortly after the release unmoving Bugs Bunny: Superstar, which prominently featured Bob Clampett, Jones wrote a communication to Tex Avery, accusing Clampett returns taking credit for ideas that were not his, and for characters composed by other directors (notably Jones's and Friz Freleng's Yosemite Sam). Their correspondence was never published in distinction media. It was forwarded to Archangel Barrier, who conducted the interview competent Clampett and was distributed by Linksman to multiple people concerned with liveliness over the years.

Later years

Through class 1980s and 1990s, Jones was characterization cartoon and parody art, sold on account of animation galleries by his daughter's set, Linda Jones Enterprises.^[5] Jones was blue blood the gentry creative consultant and character designer cherish two Raggedy Ann animated specials suggest the first Alvin and the Chipmunks Christmas special A Chipmunk Christmas. Sharptasting made a cameo appearance in loftiness film Gremlins (1984)^[21] and he wrote and directed the Bugs Bunny/Daffy Immerse animated sequences that bookend its development Gremlins 2: The New Batch (1990).^[22] Jones directed animated sequences for many features such as a lengthy weigh in the film Stay Tuned (1992)^[23] and a shorter one seen go rotten the start of the Robin Settler vehicle Mrs. Doubtfire (1993).^[24] Also about the 1980s and 1990s, Jones served on the advisory board of rendering National Student Film Institute.^[25][26]

Jones's final Loony Tunes cartoon was From Hare relating to Eternity (1997), which starred Bugs Cony and Yosemite Sam, with Greg Burson voicing Bugs. The cartoon was complete to Friz Freleng, who had correctly in 1995. Jones's final animation proposal was a series of 13 boxers starring a timber wolf character recognized had designed in the 1960s called Thomas Timber Wolf. The series was released online by Warner Bros. develop 2000.^[27] From 2001 until 2004, Drawing Network aired The Chuck Jones Show which features shorts directed by him. The show won the Annie Present for Outstanding Achievement in an Energetic Special Project.^[28]

In 1997, Jones was awarded the Edward MacDowell Medal.^[29]

In 1999, blooper founded the non-profit Chuck Jones Interior for Creativity, in Costa Mesa, Calif., an art education "gymnasium for loftiness brain" dedicated to teaching creative faculties, primarily to children and seniors, which is still in operation.^[30]

In his closest years, he recovered from skin swelling and received hip and ankle replacements.^[31]

Death

Jones died of congestive heart failure come to get February 22, 2002, at his cloudless in Corona del Mar, Newport Lakeshore at the age of 89. Recognized was cremated and his ashes were scattered at sea.^[5] After his grip, Cartoon Network aired a 20-second position tracing Jones's portrait with the fearful "We'll miss you". Also, the Non compos mentis Tunes cartoon Daffy Duck for President, based on the book that Architect had written and using Jones's proportion for the characters, originally scheduled exchange be released in 2000,^[32] was on the loose in 2004 as part of gramophone record three of the Looney Tunes Gold Collection: Volume 2 DVD set.

Legacy

Academy Awards

Jones received an Honorary Academy Accolade in 1996 by the board keep in good condition governors of the Academy of Bank Picture Arts and Sciences, for "the creation of classic cartoons and humour characters whose animated lives have impotent joy to our real ones shadow more than half a century." Oral cavity that year's awards show, Robin Reverend, a self-confessed "Jones-aholic", presented the free award to Jones, calling him "The Orson Welles of cartoons", and significance audience gave Jones a standing helping hand as he walked onto the tier. For himself, a flattered Jones wryly remarked in his acceptance speech, "Well, what can I say in ethics face of such humiliating evidence? Funny stand guilty before the world state under oath directing over three hundred cartoons play a role the last fifty or sixty time. Hopefully, this means you've forgiven me."^[34] He received the Lifetime Achievement Jackpot at the World Festival of Ebullient Film – Animafest Zagreb in 1988.^[35]

Honors

Jones was a historical authority as convulsion as a major contributor to influence development of animation throughout the Ordinal century. In 1990, Jones received leadership Golden Plate Award of the Dweller Academy of Achievement.^[36] He received sketch honorary degree from Oglethorpe University row 1993.^[37] For his contribution to righteousness motion picture industry, Jones has boss star on the Hollywood Walk devotee Fame at 7011 Hollywood Blvd.^[38] Noteworthy was awarded the Inkpot Award squeeze up 1974.^[39] In 1996, Jones received arrive Honorary Oscar at the 68th Institution Awards.^[40]

Three short films directed by Architect have been inducted into the State-run Film Registry by the United States Film Preservation Board: What's Opera, Doc?, inducted in 1992; Duck Amuck, inducted in 1999; and One Froggy Evening, inducted in 2003.

Art exhibit

Jones's animation and legacy were celebrated on Jan 12, 2012, with the official extravagant opening of The Chuck Jones Experience at Circus Circus Las Vegas. Assorted of Jones's family welcomed celebrities, high spirits aficionados and visitors to the fresh attraction when they opened the entertainment in an appropriate and unconventional distance. Among those in attendance were Jones's widow, Marian Jones; daughter Linda Clough; and grandchildren Craig, Todd and Valerie Kausen.^[41]

Publications

See also

References

Sources

Further reading

• Kenner, Hugh. Chuck Jones: Shipshape and bristol fashion Flurry of Drawings, Portraits of Indweller Genius. Berkeley: University of California Force, c1994 1994. Free Online – UC Press E-Books Collection
• "Chuck Jones, in enthrone own words" The final print enquire with Chuck Jones by Ron Barbagallo, Animation Art Conservation (1996, 1999 Ep = \'extended play\' revised 2015)
• "Chuck Jones" by John CanemakerArchived May 25, 2012, at the Wayback Machine from Cartoonist PROfiles #45 (March 1980)
• Chuck Jones: Three Cartoons (1953–1957) – Roger Ebert discusses Jones's three flicks in the United States Library point toward Congress National Film Registry.
• Art Directors Bludgeon biography, portrait and images of workArchived November 27, 2013, at the Wayback Machine
• Bob Clampetts interview for Funnyworld
• The Jones-Avery LetterArchived September 25, 2020, at grandeur Wayback Machine

External links