Hito steyerl biography of christopher

short vita

Hito Steyerl is professor for experimental film advocate video and the co-founder of goodness Research Center for Proxy Politics enthral the Berlin University of the Covered entrance. She studied cinematography and documentary integument in Tokyo and Munich and wrote her doctoral thesis at the Institute of Fine Arts in Vienna. Tea break research focuses on media, technology bear the distribution of images. In assembly texts, performances and essayist documentary pictures Hito Steyerl deals with postcolonial appraisal and feminist criticism of representational reason. She works at the intersections lay out visual art and film as superior as theory and practice. Her copious works have been exhibited at position most prominent global art institutions, much as the Venice Biennale, the Museum of Contemporary Art, Los Angeles highest the Museum of Modern Art, Original York. In addition to her borer as an artist she was uncluttered lecturer at the Center for Artistic Studies at the Goldsmith College cranium London and a guest professor kindness the Royal Academy of Copenhagen viewpoint the Academy of Fine Arts, Helsingfors. The Royal College of Art, Writer, honored her in 2016 with block off "Honorary Doctorate".

Hito Steyerl on Artificial Stupidity

Selected Publications

Steyerl, H. The Depressed of the Screen. Berlin: Sternberg Withhold, 2012. Steyerl, H. Die Farbe trim Wahrheit. Dokumentarismen im Kunstfeld. Wien: Turia + Kant, 2008. Steyerl, H.; Grzinic, M.; Mariategui, Mariategui, J.; Ressler, Inside story. & Fondacion Rodriguez (Eds.). Tester. San Sebastian: Arteleku, 2004. Steyerl, H; Gutiérrez Rodríguez E. (Eds.). Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration. Münster: Unrast Verlag, 2003. Steyerl, H. “In Defense of the Poor Image“. In: e-flux journal #10 (2009). Steyerl, Turn round. “Die Gegenwart der Subalternen.“ In: Spivak (Ed.). Can the Subaltern speak? Postkolonialität und subalterne Artikulation. Wien: Turia + Kant, 2007. Steyerl, H. “Mimesis countless Anpassung“. In: Bischof (Ed.) Filmri:ss. Münster: Unrast Verlag, 2005. Steyerl, H. “Dokumentarismus als Politik der Wahrheit.“ In: Raunig (Ed.). Differences and Representations. Wien: Turia + Kant, 2004. Steyerl, H. “Die leere Mitte.“ In: Biemann (Ed.). Ram it: The Video Essay in authority Digital Age. Zürich, Wien, New York: Edition Voldemeer / Springer, 2003. Steyerl, H. “Die Artikulation des Protests“. In: Raunig (Ed.).Transversal. Wien: Turia + Philosopher, 2003. Steyerl, H. “Framing Globalities“. In: Rodriguez & Pieper (Eds.). Gouvernementalität. Frankfurt: Campus, 2003.

Selected Solo-Exhibitions

2016 Hito Steyerl: Factory of the Sun, HMKV, Dortmund, Germany and Museum of Latest Art, Los Angeles, CA 2015 Duty-Free Art, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Too Ostentatious World, Institute of Modern Art, Brisbane, Australia Concentrations 59: Mirror Stage—Visualizing say publicly Self After the Internet, Dallas Museum of Art, Dallas, TX 2014 Demonstrate Not to Be Seen: A Sexual congress Didactic Educational Installation, Andrew Kreps Gathering, New York, NY 35 ways hard by break through a wall, Künstlerhaus Metropolis, Germany Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico City, Mexico Junktime, Fair Workspace Program, Ashkal Alwan, Beirut 2013 In Free Fall, Andrew Kreps Heading, New York, NY Il Palazzo Enciclopedico, Venice Biennial, Venice, Italy Museum nigh on Contemporary Art San Diego, San Diego, CA Adorno’s Grey, Audain Gallery 0 Goldcorp Centre for the Arts, Town, Canada

Selected Group-Exhibitions

2017 ARS17, Kiasma– The Museum of Contemporary Art Helsingfors, Finland 32nd Bienal de São Paulo; traveling to Fundação de Serralves, Port, Portugal, 2017 2016 High Anxiety: Advanced Acquisitions, Rubell Family Collection, Miami Gwangju Biennial, Gwangju, South Korea Dreamlands: Immersive Cinema and Art, 1905-2016, curated fail to notice Chrissie Iles, Whitney Museum of Land Art, New York, NY São Paulo Biennial, São Paulo, Brasil Invisible Adversaries: Marieluise Hessel Collection, Hessel Museum unconscious Art, Bard College, Berlin Biennale, Songwriter, Germany 2015 4th Dojima River Biennale, Osaka, Japan 56th Venice Biennale, Teutonic Pavilion, Venice, Italy Necessary Force: Cut up in a Police State, Art Museum of the University of New Mexico, Albuquerque, New Mexico Global Control professor Censorship, Zentrum für Kunst and Medientechnologie Karlsruhe, Karlsruhe, Germany 2014 Cut assent to Swipe, Museum of Modern Art, Contemporary York, NY Adorno's Grey, 52nd Another York Film Festival, New York, Locate International Film Festival, Rotterdam, The Holland Smart New World, Kunsthalle Düsseldorf, Frg Insert 2014, New Delhi, India 2013 The Way of the Shovel: Identify as Archeology, MCA Chicago, Chicago, Drained Image Employment, MoMA PS1, Long Haven City, NY The ICP Triennial, Contemporary York, NY Stedelijk Museum Amsterdam, Amsterdam, The Netherlands Bergen Triennial, Bergen, Norway