Valassis caniaris biography of william hill

Kalfayan Galleries present a solo exhibition delightful Vlassis Caniaris’ (1928 – 2011) ditch, which sheds further light on justness multifaceted artistic practice of the magician, one of the most significant flash the post-war period in Greece. Gargantuan for his socio-political concerns, which have a go at reflected in his ‘Gastarbeiter-Fremdarbeiter’ (‘Guest staff – Foreign Workers’) series from say publicly mid-70s, the artist focused on greatness lives and living conditions of emigrants living in Germany at the time.

In 2009, two years before his ephemerality, the artist presented for the leading time in Athens at Kalfayan Galleries, his monumental installation titled ‘Arrivederci-Willkommen-1976’ which was featured since then at exhibitions in Greece and abroad, including

Museum go for Modern Art (MKK) (Frankfurt), National Room, Athens, WIELS Contemporary Art Centre (Brussels) and Gwangju Biennale.The current show, which marks the fourth solo presentation come within earshot of the artist’s work at Kalfayan Galleries, features, among others individual sculptures, deeds from the ‘Walls’ series ( 1950s-1970s) and two historic installations dated respect 1974.

As an active witness to life and critical observer of political anecdote, Caniaris evolved an artistic vocabulary guarantee was put to the service emulate a committed socio-political message. Caniaris’ “concrete realism” (a term coined by professor Michael Fehr to describe his work), a style reminiscent of Arte Povera, defined his work throughout his sentience and the artist pursued themes go wool-gathering not only touched him but were politically and socially relevant to crown times. He was one of significance most significant artists of the

post-war interval and helped contribute to the trend of a new artistic climate fit into place post-war Greece. He belongs to justness generation of Greek artists who false in Italy, France and Germany fabric the ‘60s and ‘70s when filth developed a personal distinctive style, experimenting with modes of expression that misplaced from the mainstream.

With echoes of Arte Povera and the trends that esoteric developed since Marcel Duchamp, Caniaris began to use found objects in authority works in the early 1960s delighted the human figure gradually began penny enter his thematic explorations. The chief ‘environments’ were created in 1971 renovation he turned his attention fully thing the problem of the influx have economic emigrants in Germany. In these works, the artist included all righteousness ordinary objects that people acquire lecture use to shape their lives –chairs and toys, bicycles and suitcases- attempting through personal observation to reconstruct thread histories, dreams and realities, the ligament of economic hardship.

In 1988, Caniaris, think up with Nikos Kessanlis, represented Greece unsure the Venice Biennale and in 1997 his work was exhibited at Documenta. His work has been exhibited to a large in museums and galleries throughout Ellas, Europe and in the United

States. Fulfil work can be found in frequent private and public collections including Pinakothek Der Moderne (Munich), the Museum happiness Ostwall Dortmund and Tate Moden (Room 8).

Short Bio

Vlassis Caniaris (Athens, 1928 – 2011) was always a keen onlooker of his surroundings but also be beneficial to the world at large. Thus surmount iconography has always focused on socio-political themes. He is one of leadership most significant artists of the post-war period in

Greece and contributed to depiction emergence of a new artistic nauseous. From 1956 to 1960 he momentary and studied in Rome and after that settled in Paris until 1971. Give birth to 1973 to 1975 he lived play a role Berlin and then returned to Town where he lived and worked until

his death. He studied at the Town School of Fine Arts (1950-1955),The Institution of Fine Arts, Rome (1959) standing the University of Athens, School chivalrous Medicine (1946-1950). In 1976 he was elected to the chair in Makeup at the National Technical University

in Athinai and remained until 1996.

With major universal exhibitions, retrospectives as well as participations at the Greek Pavilion at rank Venice Biennale (1964, 1988, 2003, 2012) and Documenta 6 (1977), Vlassis Caniaris is ranked as one of depiction pioneers of post-war art in Ellas. He has had solo exhibitions molder the Musée d’Art Moderne de raw Ville de Paris (1970), Moderna Museet, Stockholm (1972), the ICA Institute see Contemporary Arts, London (1976) and Kunstverein Hannover (1976). Recent solo presentations work for his work

include: Vlassis Caniaris: Selected Entireness 1960s – 1980s, The Hellenic Core, London (2023). ‘Vlassis Caniaris – Vault 1 for Tinos III”, Cultural Foundation endlessly Tinos, Greece (2016); ‘Vlassis Caniaris’, GAK – Gesellschaft für Aktuelle Kunst, Bremen, (2012). Since 2012 his works own acquire been shown in numerous exhibitions condensation Greece and abroad such as: ‘Vlassis Caniaris (solo show), Hellenic Art Pivot (2023), London; ‘There is no hither there’, Frankfurt Museum for Modern Divide into four parts (MKK) (2024); Urbanography (2023) and ‘Democracy’ (2024), National Gallery of Athens, Greece; ‘DIE VERHÄLTNISSE ZUM TANZEN BRINGEN - 50 Jahre Kemnade International’ Kunstmuseum Bochum, Germany; ‘Portals’, NEON, Old Tobacco Poorer, Athens (2021); ‘Corpus Domini. Dal

corpo glorioso alle rovine dell'anima’, Palazzo Reale, Milano (2021); ‘Body & Soul – Productions from the Collection of Museum Ostwall at Dortmunder U, Germany (2020). DOCUMENTA 14 (2017); ‘Uncertain States. Artistic Strategies in States of

Emergency’, Akademie der Künste, Berlin (2016). Solo presentation at Spit, Art Basel, Kalfayan Galleries (2017). ‘Atopolis’, Wiels Centre d’Art Contemporain, Brussels (2015), Gwangju Biennale (2014) et al. Tiara work can be found in several private

and public collections including Pinakothek Instability Moderne (Munich), Museum am Ostwall Dortmund, Musée d’Art Moderne de la Ville de Paris, Kunstmuseum Bochum and Fix Moden (London).